cameracomparison · 2-way
Player One Ceres-C vs QHYCCD QHY5L-II-M
Player One
Ceres-C
A strong fit for photographers stepping into astro pairing with longer focal lengths where framing is tight.
QHYCCD
QHY5L-II-M
A strong fit for photographers stepping into astro pairing with longer focal lengths where framing is tight.
Key differences
Color vs mono
Specifications
| Specification | Player One Ceres-C | QHYCCD QHY5L-II-M |
|---|---|---|
| Sensor | ||
| Type | guide-camera | guide-camera |
| Sensor | Sony IMX224 | Aptina AR0130 |
| Sensor tech | CMOS | CMOS |
| Format | 1/3" | 1/3" |
| Sensor size | 4.9×3.7mm | 4.8×3.6mm |
| Diagonal | 6.1mm | 6.0mm |
| Pixel size | 3.75µm | 3.75µm |
| Resolution | 1304×976 | 1280×960 |
| Megapixels | 1.3MP | 1.2MP |
| Color | Yes | No |
| Cooling | ||
| Cooled | No | No |
| Performance | ||
| Full well | 19000e⁻ | 13000e⁻ |
| Peak QE | 75% | 80% |
Advantages of Player One Ceres-C
- One-shot color — simpler workflow
Advantages of QHYCCD QHY5L-II-M
- Mono sensor — ideal for narrowband and LRGB
Best for — Player One Ceres-C
- Longer focal lengths — tighter framing on small targets
- Well-sampled deep-sky at medium focal lengths
- One-shot color — quick results, less processing
Best for — QHYCCD QHY5L-II-M
- Longer focal lengths — tighter framing on small targets
- Well-sampled deep-sky at medium focal lengths
- Narrowband and LRGB workflows
Player One Ceres-C — typical FOV & scale
- On 250mm refractor (wide)FOV: 1.12° × 0.85°Scale: 3.09"/px
- On 800mm SCT reducerFOV: 0.35° × 0.27°Scale: 0.97"/px
- On 2000mm SCT nativeFOV: 0.14° × 0.11°Scale: 0.39"/px
QHYCCD QHY5L-II-M — typical FOV & scale
- On 250mm refractor (wide)FOV: 1.10° × 0.83°Scale: 3.09"/px
- On 800mm SCT reducerFOV: 0.34° × 0.26°Scale: 0.97"/px
- On 2000mm SCT nativeFOV: 0.14° × 0.10°Scale: 0.39"/px
Player One Ceres-C — recommended user
A strong fit for photographers stepping into astro pairing with longer focal lengths where framing is tight.
QHYCCD QHY5L-II-M — recommended user
A strong fit for photographers stepping into astro pairing with longer focal lengths where framing is tight.